SPEAKERS

CAROL GUZY
Carol Guzy grew up in Bethlehem, Pennsylvania where she also completed her Associate’s degree at Northampton County Area Community College, graduating as a registered nurse in 1977. A change of heart led her to study photography at the Art Institute of Fort Lauderdale, Florida. She graduated in 1980 with an Associate in Applied Science degree in Photography. While at the Art Institute, she interned at The Miami Herald when she was hired as a staff photographer upon graduation. She spent eight years at the Herald before moving to Washington, DC in 1988 where she became a staff photographer at The Washington Post through 2014. She is the first journalist to receive the Pulitzer Prize four times – the last for coverage of the Haitian earthquake in 2010. Previously she was honored twice with the Pulitzer for spot news photography for her coverage of the military intervention in Haiti and the devastating mudslide in Armero, Colombia. She received a third Pulitzer for feature photography for her work in Kosovo. She has been named Photographer of the Year by the National Press Photographers Association three times and eight times by the White House News Photographers Association. Guzy has been recognized internationally for her compelling work having earned many prestigious awards in her chosen profession of photojournalism. She is currently a freelance photographer specializing in long-form documentary human interest projects, news and feature stories, both domestic and international. Her most recent work includes photo coverage of the conflicts in Ukraine and Syria. She is currently a contract photographer with ZUMA Press.
Maury began his photography career in 1956 as a U.S. Navy Photographer's Mate. During his illustrious naval career, he was a diver and underwater photographer. He served in Underwater Demolition Team Eleven. With the teams he served in three combat tours in Vietnam. He was also a Naval parachutist specializing in free-fall photography and made more than 1,500 jumps. His last assignment before retiring from the Navy was the Photo Chief at Pacific Stars and Stripes in Tokyo, Japan where his staff took first, runner-up and almost one half the individual awards in Military Photographer of the Year competitions for three years. Maury retired as a Chief Petty Officer in 1975 and worked as a staff photographer with the Associated Press in Boston. After spending four years with AP he became the Director of Photography for The Providence Journal in Rhode Island. After nearly eight years at the Journal he moved to Indianapolis, Indiana where he held the helm of Director of Photography at The Indianapolis Star for 15 years. He has been a visiting professor at Syracuse University and worked with Military Photojournalism Classes for more than 30 years. Maury retired and is now living south of Boston and continues to be a mentor to his protégé in the position of National Press Photographer's Association liaison to the Department of Defense, a position he held for over 13 years.

CHIP MAURY

KEN HACKMAN
They call Ken Hackman “The Godfather” of US Air Force Visual Information (VI). Part of that title comes from his founding of the military photojournalism training program in 1971, and shaped it into what it is today. Part of the title comes from his extensive portfolio of excellence including covering the Vietnam War, the summer Olympic games at Montreal, Los Angeles, Seoul, Barcelona, and Atlanta, portraits of Chuck Yeager and Buzz Aldrin, official photographs of presidential aircraft and most Air Force inventory aircraft over the past 30 years. But most of this enduring title comes from his ability to mentor and shape young photographers and give them the training and expertise they need to be successful. His love of photography since age 11 eventually propelled the Lancaster, Pennsylvania, native into an Air Force photography career at age 17. Assigned to Yokota, Japan, he traveled the Far East working for a documentary unit with the Air Photographic and Charting Service. After his initial enlistment in the Air Force, he then worked numerous VI positions as a civil service member. He spent the early part of his civil service working at Lookout Mountain Air Force Station, where in addition to covering Air Force events worldwide, he documented the atmospheric testing of atomic weapons in the South Pacific. His follow-on assignment was to the 1352nd Audiovisual Squadron at Norton Air Force Base, CA, and the 2nd Combat Camera Squadron at March Air Force Base, CA where he retired. He mentors, coaches, judges, teaches, critiques, and advises Air Force photojournalists and Combat Camera photographers.

BILL GENTILE
Bill Gentile is the author of, “Wait for Me: True Stories of War, Love and Rock & Roll,” his memoir and crown jewel of a career as independent journalist and documentary filmmaker whose work spans four decades, five continents and nearly every facet of journalism and mass communication. He is a full-time professor of the School of Communication (SOC) at American University (AU) in Washington, DC. He is the founder of AU’s Backpack Journalism Project, a pioneer of “backpack video journalism” and one of the craft’s most noted practitioners. He authored the highly acclaimed, “Essential Video Journalism Field Manual,” and its Spanish-language counterpart, “Manual Esencial de Produccion Video Periodismo.” He has conducted Backpack Journalism Workshops from Cuba to Ghana, from Bangkok to the former Soviet Republic of Georgia. He covered stories from Central America, to the Persian Gulf, to Iraq and Afghanistan. He engineered the SOC’s partnership with the Pulitzer Center on Crisis Reporting and remains the driving force behind that initiative. He won two national Emmy Awards and was nominated for two others. He is the director, executive producer and host of the documentary series, “FREELANCERS with Bill Gentile.” He teaches Photojournalism, Foreign Correspondence, Backpack Documentary and the first Spanish-language class ever taught in the School of Communication. His recent work also includes, “Fire and Ice on the Mountain,” a short documentary about the impact of climate change on Peruvians’ relationship with the glacier of Huaytapallana, and “When the Forest Weeps,” a short film that examines how Ecuador’s Kichwa Indians struggle as their deep spiritual relationship with the Amazonian rain forest diminishes in a clash with the forces of so-called modernity. He also shot, produced and wrote the 2015 documentary, “Afghan Dreams,” about four Afghan law students – all female – who defy all odds to compete in the world’s most important competition of international commercial law. In 2013, he shot, produced, wrote and narrated a three-part film series on religion and gangs in Guatemala. The three films, “I. The Gangs,” “II. The Researcher,” and “III. The Pastor.” Additional work in Cuba includes “Reading While They Roll: Cuba’s Cigar Factory Tradition,” for Time.com. Also on the Time Magazine Web site, see “Cuba’s (Rocky) Love Affair with the Harley-Davidson.” His previous works include “Nurses Needed,” about the nursing shortage across the United States, and “Afghanistan: The Forgotten War,” about America’s deepening involvement in that Central Asian country. Broadcast in 2008 by NOW on PBS, the stories were named NOW’s Number 1 and Number 3, respectively, most popular of the year. For the Afghanistan piece, he was nominated for a national Emmy Award. Gentile began in 1977 as reporter for the Mexico City News and correspondent for United Press International (UPI) based in Mexico City. He covered the 1979 Sandinista Revolution in Nicaragua and later spent two years as editor on UPI’s Foreign Desk in New York, then moved to Nicaragua and became Newsweek Magazine’s Contract Photographer for Latin America and the Caribbean. His book of photographs, “Nicaragua,” won the Overseas Press Club Award for Excellence, Honorable Mention. He covered the U.S.-backed Contra War in Nicaragua and the Salvadoran Civil War in the 1980s; the U.S. invasion of Panama; the 1994 invasion of Haiti, the ongoing conflict with Cuba, the 1990-91 Persian Gulf War and the subsequent wars in Iraq and Afghanistan. He worked in Ivory Coast, Guinea, Sierra Leone, Chad, Angola, Rwanda and Burundi.

MARK KETTENHOFEN
Mark Kettenhofen is a seasoned traveler and award-winning photographer that has been documenting the world through his lens for more than 45 years. His journey began in 1980 when he enlisted in the Navy armed with his camera and a passion for storytelling. In an era where film still reigned supreme, Mark embarked on a career that would eventually take him to every corner of the globe. Trained as a photojournalist at Syracuse University, Mark spent two decades as a Navy Photojournalist, documenting historic military operations worldwide. His dedication and talent earned him numerous accolades, including the prestigious title of Military Photographer of the Year. Upon retiring from the Navy in 2000, Mark's talent caught the eye of Nikon USA, where he served as a senior staff photographer for 21 years. His assignments read like a checklist of major global events, from Olympic games to presidential inaugurations, Super Bowls to FIFA World Cups. Mark's diverse skill set, technical prowess, and vision have helped him to create images in a myriad of environments, ranging from basketball courts to underwater arenas, and even as far as Everest Base Camp and the Galapagos Islands. In these varied settings, he captured defining moments with images that are still being used globally by Nikon. In 2009, Mark published a captivating visual journey across America in “America from 500 Feet II.” From coast to coast and from majestic mountains to desolate deserts, Mark captured the essence of iconic America through stunning aerial photography. Flying at 500 feet or less, using an experimental ultra-light aircraft, his documentation showcased the diverse beauty of our country, accompanied by compelling stories that touch the heart. After leaving Nikon in April 2021, Mark embraced a new chapter by assuming the role of Olympic Photo Manager for the Tokyo Olympics and establishing his media company, Shadow Catcher Media. Mark's dedication goes beyond capturing iconic moments; it's about fostering community and knowledge-sharing. He's led workshops for prestigious organizations such as Arizona Highways Magazine, National Geographic's Lindblad Expeditions, Santa Fe Workshops, Epic Photo Adventures, Summit Workshops and PhotoQuest Adventures. Additionally, for 28 years, he has played a vital role as a senior workshop leader at the esteemed Eddie Adams Workshop and was just recently awarded the position of Chief Operations Officer for the 501.c3 nonprofit workshop. Mark also leads multiple wildlife safari photo workshops to Kenya, Uganda, and Alaska, providing hands-on expert guidance in some of the world's most breathtaking natural environments. In addition, his expertise led him to teach workshops in the culturally rich Silk Road area of Cappadocia, where he has helped photographers capture the unique landscapes and heritage of this ancient region. Alongside his professional pursuits, he volunteers as a field staff photographer with the non-profit group First Descents. First Descents significantly enhances the long-term well-being of young adults facing cancer and other serious health conditions through empowering outdoor experiences, skill-building initiatives, and nurturing local adventure communities. Despite his remarkable achievements, Mark remains deeply rooted in his passion for exploration, adventure, and the artistry of photography, persistently seeking fresh challenges and opportunities to weave compelling narratives through his lens.
JUDGES

Dennis Brack Sr. is an award-winning photographer whose career spans six decades and whose work has appeared in many publications, including Life, Time, Newsweek, and The Washington Post. He averaged a picture a week in TIME Magazine for 23 years. His focus was on entertainers, world leaders, wars, heroes, dictators, and important world events. Brack is best known for covering 11 administrations as a White House photographer, beginning with the Kennedy presidency while an intern for the Dallas Morning News and ending during the presidency of Donald Trump. Brack is also known for his iconic photographs of The Beatles’ first U.S. concert, which took place on Feb. 11, 1964, at the Washington Coliseum. Brack followed the Beatles as they arrived in D.C. by train, paused for photos on the National Mall, did the Coliseum concert and a reception at the British Embassy.
DENNIS BRACK

CAROL GUZY
Carol Guzy grew up in Bethlehem, Pennsylvania where she also completed her Associate’s degree at Northampton County Area Community College, graduating as a registered nurse in 1977. A change of heart led her to study photography at the Art Institute of Fort Lauderdale, Florida. She graduated in 1980 with an Associate in Applied Science degree in Photography. While at the Art Institute, she interned at The Miami Herald when she was hired as a staff photographer upon graduation. She spent eight years at the Herald before moving to Washington, DC in 1988 where she became a staff photographer at The Washington Post through 2014. She is the first journalist to receive the Pulitzer Prize four times – the last for coverage of the Haitian earthquake in 2010. Previously she was honored twice with the Pulitzer for spot news photography for her coverage of the military intervention in Haiti and the devastating mudslide in Armero, Colombia. She received a third Pulitzer for feature photography for her work in Kosovo. She has been named Photographer of the Year by the National Press Photographers Association three times and eight times by the White House News Photographers Association. Guzy has been recognized internationally for her compelling work having earned many prestigious awards in her chosen profession of photojournalism. She is currently a freelance photographer specializing in long-form documentary human interest projects, news and feature stories, both domestic and international. Her most recent work includes photo coverage of the conflicts in Ukraine and Syria. She is currently a contract photographer with ZUMA Press.