May 9-11, 2019

Jim Bryant is a freelance photojournalist who has covered a wide variety of photo assignments ranging from local news and sports to international travel. He picked up his first camera at the age of 15 and has been taking pictures ever since. From the Central American rainforest to the ice sculptures in Japan's most northern island to the plains of Africa, it has been said that Jim Bryant can't take an ugly photograph.  He studied photojournalism at Syracuse University and has won more than sixty state, regional and national awards for his newspaper and magazine work including being nominated for a 1983 Pulitzer prize in the General News Category for "The Final Homecoming."  While in the military, Jim was consistently recognized for his photography and writing , including receiving two highly acclaimed Thomas Jefferson Awards and in the Military Photographer of the Year competition. Most recently Jim was selected as a member of the inaugural class of the Defense Information School Alumni Hall of Fame. On several occasions, Jim has been sought out by publishing companies to provide photographs for books.

In his career, spanning over three decades, Jim's worldwide location assignments have taken him to more than 25 countries, some of which include Kenya, Vietnam, Japan, Palau, Thailand, and the Azores Islands.  Jim has taught photojournalism classes with Earth Portraits, through the Washington Newspaper Publishers Association, for the military's Morale Welfare and Recreation program and at various High Schools and Colleges in Washington State. He has given numerous seminars on photojournalism throughout his career.


Michael Lopez currently works as the photographer for The United States Military Academy West Point in Upstate New York. He shares his experience as a freelance photographer with Zuma PRESS, Reuters, The New York Times and former staff photographer at the Walla Walla Union-Bulletin and The Orange County Register. Michael spent 12-years in the U.S. Army and Army National Guard and served 2 tours of duty in Iraq in OIF 2 and 8.

Michael has a Bachelors in Science in Visual Journalism from Brooks Institute.

In 2016 Michael was 1 of 10 people selected world-wide to attend a week long photography workshop in La Bastogne, South of France.


Bob Houlihan is the Editor-in-Chief of Airman magazine, the official magazine of the U.S. Air Force. Prior to Airman magazine, Bob was the Director of Photography at the Detroit News, Deputy Director of Photography at the Washington Times and a U.S. Navy Photojournalist.

In addition to his day job, Houlihan is the director of the Department of Defense Visual Storytelling Workshop, serves as the DC Shoot Off Workshops Still Photo Director, and is founder of the bi-monthly multimedia presentation program, DCPJ Mafia Photo Night, an evening for mentoring military visual journalists by providing career counseling in the field of visual media and has been a staff member at the Eddie Adams Workshop for the past 15 years.

Houlihan lives in Trappe, MD with his wife Shelly, their seventeen-year-old son Connor, two Labrador Retrievers and a neurotic Beagle.


Maury began his photography career in 1956 as a U.S. Navy Photographer's Mate.  During his illustrious Navy career, he was a diver and underwater photographer.  He served in Underwater Demolition Team Eleven.  With the team he served in three combat tours in Vietnam.  He was also a Naval parachutist specializing in free-fall photography and made more than 1,500 jumps.  His last assignment before retiring from the Navy was as Photo Chief at Pacific Stars and Stripes, Tokyo where his staff took first, runner-up and almost one half the individual awards in Military Photographer of the Year competition for three years.

Maury retired as a Chief Petty Officer in 1975 and worked as a staff photographer with the Associated Press in Boston, and spending four years with AP he became the Director of Photography for The Providence Journal in Rhode Island.  After nearly eight years at the Journal he moved to Indianapolis, Indiana and worked as the Director of Photography at The Indianapolis Star for 15 years.  He has been a visiting professor at Syracuse University working with the Military Photojournalism Classes for more than 30 years.


Chief Mennuto is currently a Visual Communications Department Academic Director at the Defense Information School in Ft. Meade, Maryland.  His awards include three Joint Service Commendation Medals, the Joint Service Achievement Medal, the Combat Action Ribbon, the Navy Commendation Medal, two Navy Achievement Medals, five Navy Good Conduct Medals, the Military Outstanding Volunteer Service Medal and numerous other unit and campaign awards.


Annie Elis joined the United States Coast Guard in 2003. After serving aboard the Coast Guard Cutter Jarvis in Hawaii as a boatswains mate, she lateraled to the Public Affairs Specialist enlisted rating, and was stationed both in New York City and Arlington, Va. In 2014.  She earned a commission through the Coast Guard's Officer Candidate School and served on the Coast Guard Cutter William Trump, a Fast Response Cutter based in Key West, Fla.

As a Public Affairs Specialist, Annie received extensive experience in the field of photography, videography, and media relations. Her imagery and work has been published with national and local newspapers, T.V., radio and wire outlets.

She has attended several Military Photographers Workshops, DC Shoot Off workshops, two Northern Short Course workshops, the Photo Plus Expo in Manhattan, the Intermediate Photojournalism Course and has been a member of the Eddie Adams Workshop Black Team.

She has traveled all over the world with the military, and has documented Coast Guard and joint multi-country service efforts in Tokyo, South Korea, North Korea (the DMZ), Vietnam, Panama, Ecuador, Costa Rica, Midway Island, Spain, Senegal, Liberia, Sierra Leone, Norway, Sweden, England, Denmark, Ireland, and remote areas of the Aleutian Island chain in Alaska.

She has zealously soaked up each experience from workshops and each life experience and is always looking for more opportunities to learn new things about the craft.


Larry Levin worked as a photo agent, photo editor and photographer.  During his tenure as photo editor at Nation's Business magazine he was responsible for the visual content of the periodical.  He is currently working as a freelance corporate photographer in Washington, D.C., and additionally for the last 12 years taught visual communication as an adjunct professor at American University, Northern Virginia Community College and Trinity Washington University.  He has been a past president of the American Society of Picture Professionals and former executive director of the White House News Photographers Association and was recently appointed as board member of the National Press Photographers Foundation.  His other passion is working with Best Buddies and refereeing basketball for Special Olympics. This will be his sixth year with the Shoot Off faculty.



Pablo Piedra is a 22-year veteran of the U.S. Army, where he documented the history of our military for over 10 years as a Combat Photographer. His work has been featured on numerous international news outlets highlighting missions in over 43 countries around the world. In May 2017, he graduated magna cum laude from Syracuse University's S.I. Newhouse School of Public Communications' Military Photojournalism Program. In 2017 he was also selected as the Army's Combat Photographer of the Year. As a Soldier, Piedra served in most leadership roles as a Visual Information Specialist, from Platoon Sergeant to Team Leader; training, producing and creating content to document and support the Department of Defense's historical and strategic Mission. Piedra currently works as the Multimedia Director and content creator for the Tragedy Assistance Program for Survivors (TAPS), where he helps capture and tell the stories of those who have suffered the loss of a military loved one. His videos and photos are design to help Survivors share their story with others, to let them know that they are not alone. His imagery has been featured in national and international campaigns as well as news organizations worldwide.

Jim is an accomplished public affairs specialist with more than 20-years of experience as a photojournalist, photo editor, designer, and director.

His professional career began as a U.S. Navy photojournalist working with the Blue Angels and All Hands Magazine.

He began a career in newspapers as a photographer at The Denver Post, becoming the Director of Photography after five years. He has also worked as a photographer and photo editor at the Philadelphia Inquirer; Photo Director at the Houston Post; Assistant Managing Editor of Photography at The Sun in Baltimore; and Director of Photography at The Cape Cod Times.

Jim served as the Deputy Director/Senior Photo Editor for the White House Photo Department for the final three years of President Obama's administration, assisting in the daily editing of the visual historical record of the President.  He is now the Supervising Photographer at the Smithsonian Air and Space Museum.


Kurt Lengfield is a Photographer Living in Southern Maryland. For 21 years, he traveled the world as a photojournalist in the Navy and Navy reserves retiring in 2006. For ten years, he worked as an Aerial Photographer documenting test and evaluation of naval aircraft at Patuxent River Maryland.

He is currently working on long term projects documenting the life of the Watermen of the Chesapeake Bay and life in the Application Coal regions of West Virginia after the decline of the coal industry.

His work has been displayed in the Oso Bay Biennial XVIII Juried Exhibition and the Texas Photographic Society Composed Juried Exhibition as well as Burn Diary.


Lance Cheung a 24-year veteran of the United States Air Force. For his first 10 years of duty pump refueled every type of AF vehicle and aircraft, WITH a camera at his side. This didn't keep him from advanced photojournalism training at Rochester Institute of Technology's Military Photojournalism Program.  With follow-on assignments to the 1st and 2nd Combat Camera Squadrons, that prepared him to culminate his career as Director of Photojournalism, for the U.S. Air Force's flagship publication, AIRMAN magazine and HQ Air Force News Agency.  As a fully-rated combat aerial photojournalist he has flown in 34 types of aircraft.  His sorties include countless combat missions over hostile fire zones over Bosnia and Southwest Asia. Lance's images have appeared in leading news publications, books, and TV programs.  More importantly, his award winning photography has told stories from babies in neonatal wards to crimes against humanity.  

A 2006 retirement, in Texas, allowed him to create Lance Cheung Media (LCM) a business framework that allows his expertise to profit in photojournalism and location feature photography. His focus on the things people do to make life a little better have proven to be rewarding for him and his clients. Lance also joined the Boeing Company, as an on-call staff photographer, at his old stomping grounds, the former Kelly AFB, San Antonio. His talents highlighted the civilian/military workforce that keep heavy lift aircraft flying for warfighters around the world.

Lance entered civil service duty, in 2008, to rejoined the Airman magazine staff as its first civilian photojournalist in Defense Media Activity in San Antonio. Over this time, he created inspiring imagery from atop windmills in the mid-Atlantic; to the hollows of mammoth wind tunnels, in Tennessee, for all to see.

Since 2011, he has been living in the Washington, DC area, tell the story of the U.S. Department of Agriculture. As one of the Secretary's personal photographers, he spearheaded the introduction of online multimedia production and photography that highlights Cabinet level events, rural life, nutrition, science, conservation, Foreign Service, food security and safety; and our US forests. You can find him at work knee-deep in a pig sty to the White House.

He has a wife Debra, daughter Sabrina Cheung and two grandson, Noah and Gabriel.


Johnny Bivera is the principal of Visual Media One and executive director and founder of Shoot Off Visual Media Workshops.  He is a freelance photojournalist with over 30 years experience in visual communication and has captured images worldwide from everyday life to the hostilities of war.  He was an official videographer to President of the United States Bill Clinton and executive photographer to Chief of Naval Operations Admiral Vern Clark and Chairman of the Joint Chief's of Staff Admiral Mike Mullen.  He's covered combat and humanitarian missions to maritime operations like the Bosnia/Herzegovina conflict, the Israeli-Jordan Peace Treaty, Turkey's tragic earthquake and the war in Afghanistan.  He retired from the U.S. Navy in 2006 and has since traveled to all six continents.  He currently documents news and media events for a variety of clients where his work continues to appear in major newspapers, magazines and video documentaries.  He was personally profiled on PBS's Jim Lehrer NewsHour, C-SPAN's American Journal and NFL Films 'American Postcards'.  He's been published in numerous books and has worked on projects for publishers Harper Collins and the National Geographic Society.  He is an education committee member of the White House News Photographers Association, the National Press Photographers Association's Department of Defense Liaison, a member of the American Society of Media Photographers, a past president of the National Association of Naval Photography and a founding faculty member of the Red Badge Project, a storytelling workshop for veterans suffering from post-traumatic stress and traumatic brain injury

Shane T. McCoy is the U.S. Marshals Service operational still and video photographer. As the Marshals only visual journalist he covers every aspect of their mission from court security and asset forfeiture to fugitive operations. His imagery is released to the media for national and international stories. Prior to the Marshals he spent almost 16 years as a photojournalist in the Navy doing Intelligence photography, combat photography and spent his last seven years working for All Hands Magazine as the Photo Editor and lead photojournalist. He's photographed in 35 countries on five continents winning numerous awards for photography, graphic design and video editing.


Sean Hurt is a U.S. Navy photojournalist who joined the Navy in 2010 as a Mass Communication Specialist.  In 2014 he was awarded the title of Navy Photographer of the Year by the Chief of Naval Information and was later a graduate of the Advanced Military Visual Journalism program at Syracuse University in 2016.  

He was the executive photographer to Secretary of Defense Chuck Hagel and is currently deployed on board USS George H.W. Bush as the Media Departments Leading Petty Officer.


Staff Sergeant Richard Jones grew up in Dover, New Hampshire. His passion has always been in inspiring others through photography and videography. After high school, he spent time in performing arts in front of the camera traveling to all locations throughout North America until joining the U.S. Army in 2008.

Staff Sergeant Jones has been recognized with multiple photography awards throughout the U.S. Army and industry. Throughout his career, he deployed in support of Operation Enduring Freedom twice with Special Operations Command and Joint Special Operations Task Force as well as more than 10 other countries. His imagery has been featured throughout various international news outlets and documentaries. In May 2011, he graduated from Syracuse University's S.I. Newhouse School of Public Communications' Military Motion Media Program.  

Staff Sergeant Jones currently serves a Lead Instructor for the Basic Still Photography Course at the Defense Information School on Fort Meade, Maryland.  

Nick Parella has been creating photographic images for over 30 years as a photographer, photo editor and technologist and since the 80's has evolved with emerging digital imaging, desktop publishing, web and content management technologies. Today, his work leverages digital asset management, artificial intelligence, robotic process automation and cognitive computing technologies applied to information, visual content and images.

​His journey and passion for photography first began at the Rochester Institute of Technology in Rochester, New York where he studied photojournalism, imaging science and as a senior one of his class projects produced the very first electronic publication called Electronic Still Photography at Rochester Institute of Technology (E.S.P.R.I.T) using Sony Mavica Cameras and early software application versions of Quark Xpress, Digital Digital Darkroom, PhotoMac and Photoshop.

After RIT, he moved to the Washington, DC area where he landed a staff position at the Smithsonian Institution as a Photography Editor/Technologist in the Office of Printing and Photographic Services (OPPS).  During his time at OPPS, he worked with the latest digital imaging technology, content management solutions and web technologies to digitize, catalog, store and manage over 100,000 images in the Smithsonian Archives.

Through the years he has worked for Agency France Presse, Associated Press, Kodak, Picture Network International, eMotion, the Smithsonian, Accenture, CGI and several Fortune 500 companies to design databases and content management systems to help his clients transform, manage and find the business records, photos, video and audio files they are seeking to achieve their overall business goals.  Nick is a member of the National Press Photographers Association and former member of the White House News Photographers Association.  



Michael is an accomplished communications and multimedia professional whose 31 years as a U.S. Army officer include many command and staff positions relating to photography, publishing, public relations and visual communications. He was commander of the Army's 55th Signal Company (Combat Camera), deputy commander and publisher of Stars & Stripes Pacific in Tokyo and commander of the American Forces Radio/Television Network Europe in Frankfurt. He also served as the civilian director of the Defense Imagery Management Operations Center known as DIMOC where he was responsible for overseeing the visual archive for both physical and digital media for the Department of Defense. He has served as director of communications for presidential/political appointees assigned to the Pentagon and two inaugurals that included the position of Deputy Public Affairs Officer for the 2004/2005 Armed Forces Inaugural Committee for President George W. Bush. From 2005-2007, Edrington was the project director for the New York Times bestselling coffee table photo book Where Valor Rests—Arlington National Cemetery published in cooperation with the National Geographic. Edrington is now a founding partner with Outlook Communications LLC overseeing the company's multimedia business development and day-to-day business operations. Edrington holds a bachelor's' degree from California State University, Sacramento in Government-Journalism and a Masters of Arts in Public Communication from The American University, Washington, D.C.

Gina Danals has been the Shoot Off Visual Media Workshops graphic designer since 2011.  She enlisted in the U.S. Navy in September 2003 and has photographed in more than 25 countries documenting the Global War on Terror, Operations Enduring & Iraqi Freedom and humanitarian disaster relief efforts throughout the Caribbean. Her various assignments have afforded her the opportunity to photograph former President Barack Obama, Michelle Obama, Hollywood producer James Cameron, Jon Landau, Michelle Rodriguez, and legendary astronauts, Neil Armstrong and Jim Lovell.

In 2013 Danals received the honor of being named the DOD Military Graphic Artist of the Year by the Assistant Secretary of Defense for Public Affairs Douglas B Wilson and George Little. Only one military member a year is honored with this title in recognition of outstanding Visual Information contributions in support of Defense Department operations, exercises, programs and contingencies.  Danals has also been recognized multiple times for her skill in photojournalism, receiving various awards and honorable mentions in the Military Photographer of the Year competition and the DOD Worldwide Military Workshop. Additionally, her imagery has been published with international and local newspapers, magazines and television stations.

In 2014, after 11 years of active duty service, Danals was honorably discharged from the U.S. Navy, however, she continues to serve as a Chief Mass Communication Specialist in the Navy Reserve. She now works as a freelance graphic designer and photographer in Charlotte, NC.


Photographer, Story Developer and producer.

Karen's career began as a volunteer in the hills of east Tennessee, collecting oral histories of local communities. She later joined the Virginian Pilot newspaper as a staff photographer winning numerous honors including runner up for Newspaper Photographer of the Year and placing in the Robert F. Kennedy Awards. Karen began freelancing for National Geographic magazine for which she photographed 25 major stories. In 1999 she was awarded Geographic's prestigious Photographer in Residence position. Her work examines issues of science, public health, and global change.

Karen's books, NURSE: A World of Care and IMPACT: From the Front lines of Global Health were both nominated for the Pulitzer Prize in community service. Karen is intrigued by how science allows us to understand ourselves and how that shapes our destiny. Her international coverage of the effects of radiation on humans received top honors in the Pictures of the Year competition.

Predominately a still photographer and storyteller, Karen has created audio-slide shows and video for web and broadcast. Her recent collaboration with two colleagues and Blue Chalk Media a 30-minute broadcast film on Japanese War Brides, told through the voices of three women who journeyed from Japan to America during the postwar years. The film was licensed by BBC World Media.

In 2005, Karen founded Little Black Dog Productions. She received the first 'Grant for Good” from Getty Images to document the transition of a long-lived environmental nonprofit based in Tennessee. She has conducted workshops for various universities and non-profits including Save the Children, Jhpiego and CRS.  She has been an adjunct professor at Ohio University, George Mason University, the Corcoran Insitute of Art and Design and George Washington University.  

She also does assignment work for various non-profits in areas of global health.  Because of this work she was invited to join the prestigious International League of Conservation Photographers.   She most recently joined the board of the Parks Insitute created to educate the public about the importance of federal lands.

She has been leading photo expeditions for National Geographic and other organizations since 2011, teaching photography to travelers in Galapagos Japan, Iceland, Papua New Guinea, Egypt, Greenland, Alaska, and Antarctica

She was invited to speak at the first TEDx MidAtlantic in Baltimore on the need to visualize Global Health issues. Her clients have included:  National Geographic Magazine, National Geographic Traveler, New York Times, Washington Post Magazine, US News and World Report, GEO Magazine, Smithsonian, Catholic Relief Service, Gates Foundation and Jhpeigo.  She holds undergraduate degrees in Anthropology and Religion from the University of Michigan. She was awarded the Knight Fellowship at Ohio University where she received her Master's in Photography and Communications.


Sharon Farmer is a photojournalist and lectures extensively on photography and photojournalism. She was the curator for a photography show entitled “Cuba Now” at the District of Columbia's Sumner Museum and an assignment editor for the Associated Press and was part of the A.P. team that covered the Super Bowl in San Diego, California.  Ms, Farmer was the campaign photographer for Sen. John

Kerry's presidential election campaign in 29004.

     Farmer served as Director of the White House Photography Office from 1999-2001. A White House photographer since 1993, she has documented the Clinton-Gore Administration since its beginning.

     Ms. Farmer has been a professional photojournalist and exhibition photographer for more than 30 years, shooting news stories, political campaigns, cultural events, conferences, and portraits. Over the years she has photographed for The Washington Post, the Smithsonian Institution, The American Association for the Advancement of Science, and Delta Sigma Theta Sorority to name a few.

     Ms. Farmer's work has been featured in several books, most recently Hillary Rodam Clinton's An Invitation to the White House, The Legacy by Sharolyn Rosier Hyson, and the critically acclaimed Songs of My People. Her photography has been exhibited at the Washington Project for the Arts, the Corcoran Gallery of Art, and the Bethune Museum Archive, Inc. She has also worked on a range of special project: documentary films on the a cappella ensemble Sweet Honey in the Rock and jazz vocalist Betty Carter, among other artists; theatrical multimedia presentations; and album covers for Sweet Honey in the Rock, the reggae group Black Sheep, and harpist jeffmajors.  

     Ms. Farmer has taught and lectured extensively on photography and journalism at the American University, the Smithsonian Institution, Mount Vernon College, The National Geographic Society, Eddie Adams Workshop, the Women in Photojournalism Conference, Western Kentucky University, Indiana University and the National Association of Black Journalists(NABJ). In 2001 she lectured in five cities for the “Flying Short Course” sponsored by the National Association of Press Photographers.

     Sharon Farmer majored in photography at the Ohio State University, in Columbus, Ohio, where she received her Bachelor of Arts degree in 1974.


A proud father of 2 lovely daughters Sophia and Bailey, Brien is a native of St. Paul, Minnesota. He is an eighteen-year veteran with the “Black Team” of the Eddie Adams Workshop and was a student in the 2003 purple team. Brien retired from the Navy after 20 years as a Photojournalist and has photographed in 45 countries. As an instructor at Defense Information School he helped mold the future of military photographers. After graduating from the 2002 Advanced Military Photojournalism program at Newhouse School of Communications, Syracuse University, Brien started working as a combat photojournalist at Combat Camera, Atlantic where he completed tours in Iraq, Afghanistan and Guantanamo Bay Cuba. He is a six-time first place winner of the Military Photographer of the Year competition in different categories and also won the prestigious Communicator Award for “The Road to Recovery” a photo documentary about burn patients recovery. Former President of the D.C. chapter of the National Association of Naval Photography, Brien co-founded and helped produce their annual 3 day photography workshop “The D.C. Shoot Off” a workshop open to all government and DOD military photographers. Brien has been published in numerous books, magazines and newspapers such as National Geographic, Time, Newsweek, GQ, Washington Post and the New York Times. His work appears in many books pertaining to the war in Iraq like the critically acclaimed 'This Is Our War”. Brien is a freelance photographer living in Austin Texas and is currently working for Precision Camera & Video.




Frank Fey is a retired United State Senate photographer.  He began working in the Senate photo studio in 2001. While working in the Senate he photographed numerous historical events from Presidential Inaugurations, to State funerals and everything in between.  As a staff photographer he was sometimes the only photographer present while visiting VIPs met with senators in their private offices. His photos have been printed in print media all over the country and online as well.

Prior to joining the Senate Frank was a Navy photographer for 20 years.  He traveled through Asia and the Pacific rim. His naval service was broken for several years while he wrote, photographed and edited a half television show on Guam where he won several local press club awards for his work.  In Navy he spent 10 years working in photo reconnaissance not doing a lot of shooting except for personal projects. During his last years in the Navy he taught BSP (basic still photography) at the new Defense Information School.  During this time he won several awards in the Military Photographer of the Year competition from his personal projects.

Frank now spends his time between Thailand and the United States photographing what pleases him.



I remember that moment as a curious teenager; the moment I picked up a camera for the very first time, and what a glorious feeling that was. This might have been the initial spark that started my journey into becoming a visual storyteller. It would not be until I became a combat photographer, where the wheels would certainly start to set in motion.

I recall my mentor, PH1 Bobby McRill, who taught me what it meant to be a photojournalist:

“A photojournalist is a photographer who can grab a moment that can make someone laugh, cry, get angry, start or end a war. No other photographer in existence will ever be able to duplicate what that photographer captured.”

I took these words to heart, and Bobby's mentorship changed the course of my life forever. It was not until PH1 Bobby McRill was killed in action serving in Iraq that I understood how passionate he was about his craft. He died doing what he loved most. After this, I promised myself to be just as passionate as Bobby was and to pass on the knowledge to younger photographers as freely as it was given to me.

My passion began to strengthen once I noticed my work being published. My motivation continued to grow when I traveled to places like Hurricane struck Haiti, Guyana, Nicaragua, and Cuba, showing the world their story. My job of capturing moments that could influence a nation or the world was my definition of photojournalism.

There were many mistakes, quite a bit of yelling, late nights, frustrating hours and tons of stress that have, and continues to mold the person, and photographer I am today. My experiences with documenting starving children, fellow service members, people who lost their homes, and detainees in Guantanamo Bay have reached beyond the lens, touching my very soul, and has helped me understand more than what meets the eye. It opened my heart, to not just simply take a photo, but connect emotionally and tell a great story.

Today as a civilian, I remember the lessons and experiences I learned as a combat photographer. Passion and dedication for photography runs deep into my bones and makes up the very fabric of my being. I don't photograph for the money or fame; I do this simply for the love of capturing a moment that will either make a tear fall from your eye, or a smile come across your face.

My unique photojournalism style is now incorporated into my studio, commercial, and fashion photography shoots. I never capture a posed reaction; I always capture something natural, and wonderful. I find true beauty comes in short burst, and it is my job to capture the split second reaction.

Everyone has a natural elegance, and beauty. Sometimes it's hidden, but I always find a way to bring it out of people with humor, honesty, and passion.



Bill is an experienced communicator with a successful track record creating projects for national media that engage general audiences and successfully convey complex issues. He has particular expertise with science, technology and health issues.

Currently serving as Photography Managing Editor for Science Magazine, Douthitt's award-winning work on transforming for photography in that publication, the flagship journal of the American Association for the Advancement of Science, was profiled in the October 2015 Photo District News.

As Managing Editor for National Geographic's special issues, Douthitt expanded a product line of single-subject newsstand magazines into an award-winning and profitable array of quarterly publications. He also managed editorial direction of the new National Geographic Exploring History publication.

Douthitt's multi-faceted Geographic career included stints as a graphic designer, photographer, picture editor, writer, and digital media developer. He created the first interactive version of the Magazine on the CD-ROM platform and edited the first all-digital photographic coverage on the centennial of aviation, published in December 2003. He reorganized and managed the Magazine's story development process and created EarthPulse, a company-wide initiative on sustainability issues, with print, digital and television components.

Douthitt has taught photojournalism at George Washington University and feature writing at Corcoran College of Art + Design. He is an adjunct professor at George Mason University, where he teaches a course on science and the news media.


Harry's cameras have taken him on assignments to all seven continents and expeditions to both North and South Poles.  He was personal photographer to four Secretaries of the Navy.  He has been published nationally and internationally with covers on the New York Times Magazine, US News & World Report, and features in Time and Esquire.  He has published a coffee table book of his 40-plus-years in photography called “Serendipity a chronicle of a Navy Photojournalist.”

His cameras have covered a wide array of assignments worldwide and all facets of society.  He was commissioned to produce candid portraits of former President Gerald Ford and was selected by Team Kelty-Cabella to cover, the toughest endurance adventure race in the world, the Raid Gauloises in South Africa.  He has covered military stories in Bosnia, Haiti, and most recently in Iraq.

Harry is currently employed with Military Newspapers of Virginia, he also provides photo coverage for local publications such as Inside Business, Vow magazine, and Inside Leadership.